Skip to content

Category: Camera Reality

Maximum Sunlight by Meagan Day with photographs by Hannah Klein

Each short chapter of Maximum Sunlight is an account of an encounter with a resident of the town—anecdotal stories of drunkenness, lost jobs, skin heads, juke boxes, the government, and resilience. Each chapter is like the edges of a photograph—sometimes abruptly dissecting and at times cutting short what happened outside the frame or the rest of the story.

Continue reading Maximum Sunlight by Meagan Day with photographs by Hannah Klein

Photography, It’s Time You Stop Looking at Yourself in the Mirror

Regarding this photography with strong themes of the authentic self—autobiography is hindering photography’s ability to create particular truths understood through metaphor and has been lost to an attempt at authentic personal narrative, especially a narrative of specificity and narrow margins of universality.

Continue reading Photography, It’s Time You Stop Looking at Yourself in the Mirror

A Brief Interview with Willson Cummer

I take from [Thoreau] a sharp focus on the near-at-hand, the excitement and adventure that can be had daily in one’s own neighborhood. […] Robert Adams suggested that we should explore the “half-wild” nature that now surrounds us, as “unspoiled nature” no longer exists. The suburb, which is often criticized as a path to destroy nature, is a rich area to explore the intersections between humans and nature.

Continue reading A Brief Interview with Willson Cummer

Muddy Waters by Jamie Brett

[E]mpty plastic chairs and the photographs that conflate NYC urban with Texas rural suggest, even if lacking self-awareness, that adversity is universal and a rural to urban relationship has existed for a long while in America. Bleak and self-examining is in many ways, contemporary American photography. Muddy Waters by Jamie Brett wants something more—a good place to begin a journey when it is your own.

Continue reading Muddy Waters by Jamie Brett

A Brief Interview with Lorena Turner

“[T]here is a momentum that accumulates and feeds movement in a certain direction, it increases in volume and amasses responses or reactions that underscore it. Then there is a period of deflation. During the deflation period the original form is intact and the idea of momentum in present, if only by reference, but the direction slightly changes to accommodate the specific set of circumstances of that time.”

Continue reading A Brief Interview with Lorena Turner