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Category: Camera Reality

Photography, It’s Time You Stop Looking at Yourself in the Mirror

Regarding this photography with strong themes of the authentic self—autobiography is hindering photography’s ability to create particular truths understood through metaphor and has been lost to an attempt at authentic personal narrative, especially a narrative of specificity and narrow margins of universality.

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A Brief Interview with Willson Cummer

I take from [Thoreau] a sharp focus on the near-at-hand, the excitement and adventure that can be had daily in one’s own neighborhood. […] Robert Adams suggested that we should explore the “half-wild” nature that now surrounds us, as “unspoiled nature” no longer exists. The suburb, which is often criticized as a path to destroy nature, is a rich area to explore the intersections between humans and nature.

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Muddy Waters by Jamie Brett

[E]mpty plastic chairs and the photographs that conflate NYC urban with Texas rural suggest, even if lacking self-awareness, that adversity is universal and a rural to urban relationship has existed for a long while in America. Bleak and self-examining is in many ways, contemporary American photography. Muddy Waters by Jamie Brett wants something more—a good place to begin a journey when it is your own.

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Pictures Without Words – VOL 001, ISS 001

As much intersubjective agreement as possible. Pictures Without Words Volume 001, Issue 001 includes work by Michael Adno, Mark Albain, Eddy Leonel Aldana, Rachael Banks, Paulo Batalha, Filip Bojovic, Craig Buchanan, Ashleigh Coleman, Anastasia Davis, Paul Deville, Elicia Epstein, Jen Ervin, Conner Gordon, Natalie Krick, Sven Laurent, Devin Lunsford, Lisa McCarty, Jennifer McClure, Zora J. Murff, Ellie Musgrave, John Sanderson, Tatum Shaw, Arturo Soto, Francesco Taurisano, Adam Thorman, and Marie Wengler.

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A Brief Interview with Lorena Turner

“[T]here is a momentum that accumulates and feeds movement in a certain direction, it increases in volume and amasses responses or reactions that underscore it. Then there is a period of deflation. During the deflation period the original form is intact and the idea of momentum in present, if only by reference, but the direction slightly changes to accommodate the specific set of circumstances of that time.”

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